Audiovideoteca de Escritores de Buenos Aires

Recordings

How to collaborate with the project:

The Buenos Aires Audiovisual Archive invites every person or institution that owns material on Argentinean writers or theater personalities, in audio or audiovisual format, to contact by phone or e-mail.

The Archive also signs exchange agreements, with national or international related institutions which are focused in the preservation, conservation, publishing and investigation of audiovisual materials, by making donations, exchanges and projects.

Public attention area:

In order to watch
the audiovisual material,
arrange and appointment:
* Monday to Friday,
from 2 to 6 pm.
* by phone: 4806-1659/1647.
* by e-mail

Centro Cultural Recoleta
Audio
Video
Biography

Tribute: Pedro Orgambide Video

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Tribute: Pedro Orgambide Lástima Bandoneón

His full name was Pedro Gdanski Orgambide and he was one of the most prolific Argentinean writers. He published novels, essays and biographies. He was also a journalist and author of theater and T.V. scripts. His work and thoughts have been always committed to the political and social reality since he considered writing could help to reflect and change the world. He loved the tango and used to dance it whenever he could. As a tribute, three years from his dead, a video where he reads "Lástima Bandonéon", and an interview, given to channel Aleph in 1998, where he talks about Raúl González Tuñón, a writer who helped him, when he was a teenager, to publish his first poems.

A year from his death (06/11/2005), his voice brings us closer to his life and work. In this audios, edited by the Universidad del Litoral and the Asociación de Trabajadores del Estado de Santa Fe, Juan José Saer, author of El limonero real and Glosa, important novels of the XXth century Argentinean literature, reads "El arte de narrar", "El culto del cargo", "Leche de la Underwood", "Motivos", and "No tocar". These poems are included in the only book of poems written by him, El arte de narrar (1977).

- ‘Lástima Bandoneón’

- Entrevista